Moi je crois pas !

With irony—and even malice—he paints a scathing portrait of a France that has withdrawn into itself and is “overfed.” In this tragicomic farce, the husband and wife ward off their familiar boredom through arguments. One believes, the other doesn’t—a full-blown battle that keeps them alive. Beyond the ravages of time and the routine of married life, Grumberg delightedly sketches the societal signs of a race to the bottom, intellectual impoverishment, fear of the other, and mental dulling. In the background, the continuous stream of television programs reflects their relationship to the outside world through the prism of the hypnotic white light of the screens. Hyperconnected and exhausted, we risk “information overload.” We are like ruminants on hallucinogens!